MICHAEL MADHUSUDAN DUTTA : THE FIRST MODERN POET

Image: Modhu Kobi/kalpatarurudra.org/jpg

Madhusudan Dutta/Dutt , the first modern poet and dramatist (1824 – 1873) lived a very short life and writes both in English and Bengali language. He is an Indian poet of nineteenth century who writes not much , but some valuable and memorable piece of literary gems.

He is called the first modern poet and dramatist in Bengal as well as in India. Today , 25th January is his birthday , so we convey a lot of respect to him .

“Stop a while, traveler !/ Should Mother Bengal Claim /thee for her son.” – image:kalpatarurudra.org/jpg

BIO OF THE FIRST MODERN POET :

Madhusudan was a brilliant student of Kolkata’s famous Hindu College ( Now Presidency University) . Rajnarayan Bose, Bhudev Mukhopadhay was his classmate. He studied Bengali ,Sanskrit, Parsia , Greek amongst other subjects.

A JOURNEY: MODERN WRITING

He began writing while he studied there . He drew everyone’s attention at college for his personality, fluent English speaking like the English man – even more proficiently , extraordinary speaker / orator, and as a well – dressed modern young Bengali student.

In fact , Michael’s exceptionally colourful personality and his unconventional, dramatic and in the many ways tragic life have added to the magnetism and glamour of his name.

¶¶ THE FIRST MODERN POET / WORKS & COMPOSITION:

Madhusudan started his literary journey in English language .Actually this was the tradition. Because , it was British period when all the communication had to perform in English and it was king’s language.

MODERN NOVEL: BANKIM CHANDRA

Bankimchandra Chattapaddhay also began his literary debut in English which is a novel, “Rajmohan’s Wife”. Madhusudan wrote ” The Captive Ladie “(1849).

Bankimchandra: The Pioneer Of Bengali Novel – image:kalpatarurudra.org/jpg

¶¶ ” The Captive Ladie ” is the most considerable verse in English written by a Bengali’s pen . This verse( two cantos and with an introduction), appended with Visions of the past had established him as one of the foremost litterateurs of the Bengal Renaissance.

Like many of his other poems ,The Captive Ladie, inspired by the 12th century Rajasthani poet Chand Bardai’s Prithvirajraso, is set in pre- Mutual Delhi , and draws references from both the Indian epics ,The Ramayana (4th century B.C ) and The Mahabharata (4th century A.D) more prominently, from the former.

The Captive Ladie alongwith Visions of the Past dealing with Christian theme , were first published in the Madras Circulator,probably in April – May 1849.

The tale of the Captive Ladie ,previously mentioned , from the store of Indian history and ambitiously addresses quite a few controversial issues like nationalism and patriotism, individual liberty, the practice of Sati, the rehabilitation of much maligned Hindu Gods and the Hindu character.

In this poem , captivity is a happy trope for examining his own cultural plight. This is metaphorically representative of the poet’s captivity in the hands of his English Muse .

MEGHNADBADH KABYA : THE FIRST MODERN

¶¶ The first modern poet of Bengali language and literature ,Madhusudan Dutt became famous for his literary epic ‘Meghnathbadh Kabya’. He used blank verse in lieu of analogous , which was entirely new in Bengali poetry than previous Bharatchandra and Ishwar Gupta.

Language, rhetoric , prosody and imageries – are all new and highly significant. 1860 – 1861 may be considered as one of the more productive periods of Dutt’s life because during these two years , the plays padmavati and Krishnakumari , the poems Tilottamasambhava Brajangana .And the epical Meghnadhvadh were published.

¶¶ The poetic composition, Birangana (1862) was succeeded by Chatturdashpadi Kavitabali (sonnet) – a collection of 102 Bengali fourteen- liners- in 1866 and the prose work Hector Badh.

¶¶ His another contribution in Bengali literature is his drama. Initially he translated a drama Ratnavali of Ramnarayan ,while he came in contact with the Belgachhia theatre groups , and this association induced in him an unforeseen eagerness to contribute in Bengali.

He composed and translated Sermista , Is this called Civilisation? Maya kanan is another drama , published posthumously in 1874.

¶¶ He wrote some love poems in his young age when he was a college student. Wrote a number of letters to his friend ,Gourdas Basal and Raj Narayan Basu and also his mentor Ishwar Chandra Bandhopadhyay . He wrote some essays which published in the famous contemporary news papers .

Image:kalpatarurudra.org/jpg

¶¶ Michael Madhusudan Dutta, the great modern poet was a genius and his contribution in English and Bengali literature are enormous and fabulous, but his personal life was not happy for his reckless expenditure and unrestrained lifestyle.

Marriage life was not also smooth . He died in the early , at the age of 49 . We convey our respect to his eternal soul .

His Home / image: kalpatarurudra.org/jpg

STORY OF AN INDIAN MONK :

LETTERS AS A MIRROR OF SELF

Swami Vivekananda: The Valorous Monk
Letters Of Swami Vivekananda

Today I will discuss a story of an Indian Monk , Swami Vivekananda who is regarded as one of the greatest spiritual teacher ,distinguish philosopher and humanist, nationalist, educator and man – makinng socio reformer of the World.

SRI RAMKRISHNA : GURU OF SWAMI VIVEKANANDA

Sri Ramakrishna, his spiritual guru once remarked, ” Naren Will teach ” . Naren is one of the Rishi of the Saptarshi – told Sri Ramakrishna. Naren was his pen name . Sri Ramakrishna used to call him in this name . He was then unknown monk like other devotees of Ramkrishna .

After his Mahasamadhi ( death ) he roamed from one place to another cities and towns of India , sometimes on foot , and sometimes through Railway .

In fact , a man like Vivekananda in the history of mankind is rare in true sense of the term.

He sacrificed his life for the awakening and advancement of the human race of the East and West by his tremendous powers and mammoth deeds .

I think , his massages and the means he directed and started in India and the West ,that is the only path to solve the global problems.

SWAMI VIVEKANANDA & INDIAN NATIONALISM AND OTHER ACTIVITIES:

¶¶ An Indian Monk , Swami Vivekananda played significant role in the growing Indian Nationalism of the 19tn and 20th century, reinterpreting and harmonising certain aspect of Hinduism. His teachings and philosophy applied this interpretation to various aspects of education, faith , character building as well as social issues pertaining to India, and also instrumental in introducing yoga and Vedanta to the West .

Truly, this unknown Indian Monk painted a golden picture of the glorious ancient India in which the peoples of the West was totally blind. His vision and mission was to making a human from a man, an unbiased society from corrupted people, and not like that of Plato’s ideal kingdom.

Swamiji said ,” Man – making is my mission. ” And for this purpose he intended to visit the Parliament Of World Religion.

HIS MESSAGE TO WEST:

¶¶ Though he is known worldwide for introducing the philosophy of Vedanta and Yoga to the Western World, for presenting Hinduism to the Christian society, and drawing its respect for the Indian culture, but as many don’t know, this was never his intention.

So, What Was His Intention?

WHY HE WENT THERE ? Read similar articles ” Swami Vivekananda as a World Teacher ( http://www.kalpatarurudra.org)

Primarily my coming has been to raise funds for an enterprise of my own.”. What it was? Swami Ji noticed during his staying in the West , that there was barely a difference between the higher classes of India and America, but there was an infinite distance between the poor of the two countries.

His vision, therefore, became the empowerment of the masses through education.

” If the poor can not come to education, education must reach them at the plough, in the factory, everywhere…….So they would have ideas and morality, and hope for better. ”

¶¶ The Strength of his Language: as portraits in letter !
Vivekananda writes in personal voice with a style that is direct and decorated at the same time. His language is poetic , and in poetry even, when taking about personal things – An interesting correspondence and Requiescat in Pace are two of his examples of the many poems which were found among his letters.

THE VIBRANT WORDS OF SWAMI JI :
Sometime His tone is analytical, sometime his voice often gets bold and prophetic.
Despair not ! Remember the Lord says in Gita , ” To work you have the right, but not to the result. Guard up yours lions my boy . I am called by the Lord for this. I have been dragged through a whole life full of crosses and tortures. I have seen the nearest and dearest die , almost of starvation; I have been ridiculed, distrusted and have suffered for my sympathy for the very men who scoff and scorn . … Trust not to the so -called rich , they are more dead than alive. The hope lies in you. ..”

POETIC EXPRESSION :
¶¶ The poetic expression of some of his letters are wonderful and fabulous. Here are some instances .

Up , up , the long night is passing, the day is approaching, the wave has rise , nothing will be able to resist its tidal fury . The spirit, my boys, the spirit, the love, my children, the love; the faith , the belief and fear not ! The greatest sin is fear . ” ( letter to Alasigha, Letters of Swami Vivekananda, page – 107)

CONCLUSION :

In his letter to Mrs. Mery and H. Hell , we see the same poetic diction. He writes : ” Thou music of my Beloved’s flute , lead on , I am following. It is impossible to express my pain , my anguish at being separated from you , noble and sweet and generous and holy ones . Oh ! How I wish I had succeeded in becoming a stoic ! ” ( Letters or Swami Vivekananda – Page 119)


NEED MONEY FOR WORKS:

¶¶ To achieve this however, one needed money and he did not trust a “Pauper” government to do this job. He therefore decided to reach at the Parliament of World Religions in that hope he could get a massage across that would bring in the required funds . So, without this letter written to Maharaja , we could not be able to know the purpose of his visiting to America.

¶¶ The Strength of his Language:
Vivekananda writes in personal voice with a style that is direct and decorated at the same time. His language is poetic , and in poetry even, when taking about personal things – An interesting correspondence and Requiescat in Pace are two of his examples of the many poems which were found among his letters.

¶¶ Sometime His tone is analytical, sometime his voice often gets bold and prophetic.

Despair not ! Remember the Lord says in Gita , ” To work you have the right, but not to the result. Guard up yours lions my boy . I am called by the Lord for this. I have been dragged through a whole life full of crosses and tortures. I have seen the nearest and dearest die , almost of starvation; I have been ridiculed, distrusted and have suffered for my sympathy for the very men who scoff and scorn . … Trust not to the so -called rich , they are more dead than alive. The hope lies in you. ..”

¶¶ The poetic expression of some of his letters are wonderful and fabulous. Here are some instances .

Up , up , the long night is passing, the day is approaching, the wave has rise , nothing will be able to resist its tidal fury . The spirit, my boys, the spirit, the love, my children, the love; the faith , the belief and fear not ! The greatest sin is fear . ” ( letter to Alasigha, Letters of Swami Vivekananda, page – 107)

In his letter to Mrs. Mery and H. Hell , we see the same poetic diction. He writes : ” Thou music of my Beloved’s flute , lead on , I am following. It is impossible to express my pain , my anguish at being separated from you , noble and sweet and generous and holy ones . Oh ! How I wish I had succeeded in becoming a stoic ! ” ( Letters or Swami Vivekananda – Page 119)